The words that subtly ruin your writing

We all know when we read something terrible. The less literarily inclined will likely not understand what it is about the thing they're reading which is making it bad, they just know it is. Even some who read often, or have written books, will not understand what it is that's subtly making the work they're reading, or writing, horrid.

It feels strange for my work to continue making leaps and bounds. Every time I feel like I've gotten to an acceptable level, I'll write something new, then look back, and realize how awful the last work was. It's confusing. How could I think something is good, then three months later realize how bad it is?

I digress, for a bit of a purpose. I've recently realized I use many words in my writing which slows down the read, makes it clunky, and all around... bleh. We'll start with the number one offender.

THAT

If you can imagine, I scanned for the word "that" just before I typed the headline. I, in fact, stopped dead in the last paragraph as I typed out "tha" in place of the word "which". Then I hit "cmnd+f" and searched for it. I've become hyper aware of THAT.

I didn't know, but it's so completely unnecessary. Let me give an example.

There are things that you don't know about me, Detective Jones.

How did that read. Alright-ish, yeah? It's fine, whatever. But now, read this:

There are things you don't know about me, Detective Jones.

So much better, is it not?

Not convinced? It's OK. I'll work harder.

The grey house that was at the end of the street had always had a strange look about it, like there was a cloud that hung over it, casting shadows in frightening ways.

Writing the above took me a considerable amount of time. It's easy in the heat of the moment to craft a terrible sentence, but when on the spot, I couldn't conjure the words. OK. The sentence is truly bad. Here's the fix for "that".

The grey house at the end of the street had always had a strange look about it, like there was a cloud which hung over it, casting shadows in frightening ways.

OR

like there was a cloud hanging over it, casting shadows in frightening ways.

Take the word "that" away, and if it reads alright, you didn't need it in the first place. If you take "that" out and it doesn't make sense, sub in "which" for inanimate (non-sentient) objects, and "who" when it's a sentient object. For example, if the cloud was our main character, with feeling we'd say: like there was a demon cloud who hung over it, casting shadows in frightening ways.

I don't know why it was a demon cloud, but when it's a demon cloud, it's a "who", but if it was a demonic cloud, back to "which". 

Or maybe you do a bit of rewording magic and remove the need for either/any.

Next offender.

HAD

Let's just take the last sentence, and write the better version of it, sans "had".

The grey house at the end of the street always had a strange look about it, like there was a cloud which hung over it, casting shadows in frightening ways.

The first "had" is totally unneeded. If you want to take it a step further (not farther, even though we're stepping... it's a metaphorical step...) we'll remove them both.

The grey house at the end of the street always looked strange, like there was a cloud which hung over it, casting shadows in frightening ways.

Bleh, it's used improperly so often.

SO

So, this post is getting too long for my liking... much too long. Not sure if you noticed after reading that headline, but I've used "so" several times throughout this posting.

"So completely unnecessary"

"So much better"

"So often"

None of those "so's" do anything for the sentence other than emphasize it. If you want to emphasize something, don't use "so", use a different word.

"Utterly unnecessary"

"Infinitely better"

"In multiplicity"

Alright. There's more words, but this post is, as said, drawing on. Night kiddies. Don't get into these pitfalls of words.

Nightmares Unhinged - A Review

So... I finished reading Nightmares Unhinged a bit ago, but sort of dallied around writing the review. I should have written it sooner so they were all freshly on my mind, but I quick scan through the pages and I was back in with them easily.

From the clutches of Hex Publishers, edited by Josh Viola (my author idol - fangirl barf withheld for your ease of reading), I'm please to present my loose opinions on all of the works therein. I would suggest that everyone at least borrow the book from someone they know, if not buy it outright themselves. I'm super lucky to have a signed copy by many of the authors and the lone wolf artist, Aaron Lovett.

You can find the book here: http://www.amazon.com/Nightmares-Unhinged-Twenty-Tales-Terror-ebook/dp/B013JAPZVQ

Without further ado:

The Brollachan - Steve Rasnic Tem: 3.8/5
The story was devoid of gore or sexual situations. It was engaging, though it did drag at some points. The reveal was a bit hollow, because the conclusion was obvious several pages before then. Writing style was easy to get into, and flowed well. I enjoyed the concept, and the "old wives tale" come to life sort of feel in the story.

Fangs - J.V. Kyle: 4.6/5
I really liked this story. Also devoid of sexual situations and gore. It had a very fun, even playful, concept. It plays a bit on addiction, which is a very welcome addition to the story. The only reason it didn't earn a 5/5 was that I saw it coming a few pages in. The writing style was on par with what you'd expect for a horror short: snappy, and quick paced.

Be Seated - Keith Ferrell: 4.2/5
Very odd story. Again, no gore or sexual situations, but something... cultish... about it. You never really discovered much about what it was going on in that chair, in that house, by that hearth, but I think that made it all the more intriguing. I think the mystery was a lot of what the story had going on for it. The blank space used to talk about the narrator's subject matter, "Mr. A____", was a bit jarring to read so many times, and so I felt the flow suffered a bit because of it.

The Man Who Killed Texas - Stephen Graham Jones: 3.8/5
This story was only a tiny bit gory, but no sexual situations. It was a fun read, and very near to how I think the actual situation (post viral outbreak) would go down. It was a bit longer than necessary to convey the story at hand, but was still effective and interesting, not to mention sad. The style was easy to read.

Scarecrows - Josh Viola: 4.2/5
No gore or sexual situations, but triggers if bullying gets you. The story was touching, and vengeful. The writing was easy to read, and flowed well.

Zou Gou - Mario Acevedo: 4.6/5
I'm a sucker for sci-fi, so my rating might be a little biased. Both gore and sexual situations present in this one, but it didn't detract or distract from the story. I cringed about twice, the first time so far for Nightmares Unhinged. It was interesting and odd, deserved much more than a few pages. I've heard there is a full length novel to follow, which I'm drooling for in anticipation if it meets the quality of this short.

Needles - Josh Viola & Dean Wyant: 4.8/5
Sexual situations, and rape triggers, and a splash of gore at the end. I cringed unendingly at this story. I get a bit eeeeeeeee about rape, so that had me crossing my legs. It was creepy as hell, flowed great, but could have been paced better (probably the reason for falling short of 5). Another story with heavy addiction mentions.

The Projectionist - Jason Heller: 4.4/5
Did I just do drugs? Like... all the drugs? This is possibly the goriest story of the lot, and contains not only sexual situations, but... I think incest. I'm not sure how else to feel about this other than it was extremely interesting, but also confusing. I was left with a lot of questions, much like "Be Seated". I cringed at this one quite a bit, but the pacing and writing were both excellent.

The Wolf's Paw - Jeanne C. Stein: 2.6/5
I suppose my assessment of this is not completely fair, since I know this short was pulled from a longer work. However, it is not a very good standalone. The story was not well told in the few pages it was given, and I did not enjoy the writing style. The entire thing was quick, snappy, and there was no pause. I'm assuming the entire work was not written this way, and this was just one very quick, intense part of an otherwise well paced story. I'm not able to tell, since I did not read the full work.

Danniker's Coffin - Keith Ferrell: 3.6/5
No gore or sexual situations for this one. It was not scary, or cringe worthy, yet quite sad. So, so realistically sad. It was a bit drawn out, but I think that lent to the depressing nature of it. The story was slow and long, as said, but flowed well.

Deep Woods - Aaron Michael Ritchey: 4/5
Gore present, but no sex. I liked this take on the "monster in the woods" kind of story. I was pleased with the way it ended. The pacing was great, and the narration easy to read.

Diamond Widow - Dustin Carpenter: 3/5
No sex, not really gore either. I wanted to like this story, but from the title and first two paragraphs, I knew the whole story. That's pretty depressing... =( I don't like being able to predict what's going to happen, it takes all the fun out. It was well written and paced, and a fun play on a damsel in distress.

The Camera - Josh Viola: 3.8/5
Some sexual content, not much gore. This story made me seeth a bit. It's narrated by a female whose fiance is a douche turd. I wanted to punch him in his douchy face. Fortunately, that wasn't necessary. There were some unpredictable elements, which was nice after Diamond Widow, but I did foresee the end. It was well paced and written.

Lost Balls - Sean Eads: 3.6/5
Here's another one I'm biased on, simply because I disdain golf, and it played a decent roll in the story. Please don't tell my grandfather, but it's the most useless, boring "sport" on the planet. The pacing was a bit slow, but when it picked up, it really picked up. I did get a chill, and I could see the environment around the bridge, so that was all very well done. Damn it, why'd it have to be lame golf >.<? No sexual content or gore.

Bathroom Break - J. V. Kyle: 4/5
Sexual content abound, but no gore. This story... upset me. The lead character went against one of my strongest, highest held morals, for the duration of the story, in detail. I understand what it was trying to convey, but couldn't depart from my own feelings of hatred towards the lead throughout. When it looked like he was about to get a happy ending, I almost put it down. Hmm... I suppose I should adjust my rating. If it was able to elicit such levels of emotion, it probably deserves more than what I've given it. Rating adjusted.

Marginal Ha'nts - Edward Bryant: 3.8/5
No gore or sexual content. I was very amused by this story. I would love to believe that I could react the way that the narrator does. It was a tad slow, but well written. There was a very fun and playful air about the story, almost bored, even.

Delicioso - Warren Hammond: 3.8/5
Some sexual content, but that's it. I was able to predict how this was going to go pretty early in. I should probably stop reading so much =( or maybe turn my brain off so it's not constantly trying to figure out the ending. It was well written and paced, devilishly dark and devious, downright dirty to the depths of its demented soul. Ok, I took that one a bit far, but wanted to have fun with it. Delicioso was another damsel in distress story flipped on its head. I enjoy those, but needed a bit more to keep me wondering how it would end.

The Librarian - Josh Viola: 4.2/5
A nice follow to Delicioso, which I figured out quite quickly, this one I could not. I even put it down for a bit and tried to think of what it could be. I did have a decent guess part of the way through, but then an even cooler, new secret was revealed. I was a bit disappointed in the reaction of the narrator at the reveal, as I would have been more surprised, but it was amusing to read her indifference to the situation. Well paced, fun to read. No sexual content or gore.

Gurgle. Gurgle. - Mario Acevedo: 3.6/5
This was hilarious. I laughed many times, and therefore, it's not really horror to me. Once I start laughing... the horror is dead. It was a fun story though, with a great moral surprisingly. Pacing was alright, just a little slow, but the writing was easy to read. No sexual content, but a bit of gore.

Taking The Dare - Gary Jonas: 3.8/5
There was a lot of emotion to this story, like several others. I was hoping it would have ended differently, but I was satisfied. Because of the nature of short stories, it was a bit predictable, but not so much. Pacing was good, there were two main peaks of tension.

Overall, enjoyable works of fiction.

All the edits, and so little time - Pick your battles and hills to die on

Since my edits came in for The Mill before I'd officially started blogging, I decided to not write on it at that time. But now, edits for Sway's Demise are in, and by god, they're good.
Also, hello, long time no see. I'm sorry I've been so absent. I promise to do better and write to you more =)

Step one in receiving edits - Don't get mad, bro

You just paid someone to read your work and tell you what they think, not tell you what you want to hear. If you want to pay someone to tell you what you want to hear, you should buy a hooker. Hmmm that was a bit dark. Anyway.
Do not get upset when you're reading the feedback from your editor(s). You have paid them (maybe) to help you, and that is what they're trying their damndest to do. They don't want to purposefully hurt your feelings after you've given them money (or trusted them to give them a free copy instead of payment):
A) It's bad for them. If you think they're just going to take a dump on you every time, you will likely find someone else to edit your works, unless you're a sadist... but that's another topic for another time.
B) It's exhausting to write feedback. They're not going to go through all of that out of spite. They're doing it to provide you with some kind of valuable takeaways, so you'll want to use them in the future.

This, of course, isn't to say once you start reading through the feedback you can't feel hurt for a bit. I do because there's ALWAYS something that needs to change. I mostly laugh at my misspellings/grammar errors, as I feel like such a derp (but very grateful they were found). It's the story components getting ripped up as "a useless trope" or "unimaginative cliche" which really stings.

Step two - You're in control

Just because you paid this person (or didn't) to read your work and provide feedback, doesn't mean you have to follow all of it, or most of it... hell, or any of it. If you truly believe at your core their suggestion is not valid, do not follow it.
At the end of the day you must figure out what feedback, no matter how bad it hurts to consider, is something you feel your target audience might think as well. If your target audience doesn't get it, doesn't like it, wants to read something else... maybe reconsider your target audience, but also consider making some changes.
I've included some pretty realistic militia and post apocalyptic situations for Sway's Demise, but found out through one of my editors, that she wasn't getting it (and she's mostly within my target audience range). This is super valuable, and super sad. I'd spend a considerable amount of time crafting some of these situations to be real, but the only ones who will recognize it or care will be the very few females that are into survivalist and military stuff. I'm guessing that the number of women aged 15-25 interested in sci-fi/action books and also have working knowledge of militia makeup/behavior will be... hmm... one. And that one is me. Wait. I'm 27. Sh*t... Zero.

TL;DR It's your choice what feedback you accept. Always keep that in mind and you'll be a much happier writer.

Step three - Bring it all together

If you have multiple editors, wait to make story altering changes until all edits are in. Yeah... that's all I have to say on that. I think I could go into more detail as to why, but I'm pretty sure you can figure the reason our for yourself. Just like you wouldn't submit a report on life altering diseases without all the research coming in, don't do that with your story. You could make grave errors.

Step four - Resubmit

Not all editors are going to be thrilled at the idea of re-reading your story and going through round two of edits, but it's crucial. Make sure when you're engaging with the editor that a "round two" or even three is covered in your payment (or agreement). It's vital for the editor to see the changes made, and be able to give additional feedback on it. Sometimes 3 rounds are necessary, but if you let them know the suggestions you've declined in round 2, it will probably be the last one you'll need.

I'm currently on step three. Man... one of the bits of feedback is to change the voice of the story. That is a massive undertaking and so I'll do a trial chapter to see if it works out. I didn't get that feedback directly from the other editor, but I asked about it. We'll see if it's something I need to do. But then again, at the end of the day, I'm in control. It's my choice to not change to 3rd limited, but I have to truly believe in my gut that changing won't improve the story in a drastic way.

Blerg... night kiddies.

Launch party complete - It's been a while

Heeeeeeeey Kiddies. It's been a bit. I'm super sorry. Life has been busy as f***, but now it's better! Sway's Demise is "feature complete", and now we just need to go through the "bug fix" phase. Oh no, my producer self is bleeding into my author self.

OK, back on topic. The launch party!!

So, I put postcard flyers out everywhere, and what did it net me? Nothing. Not a damn thing. Also, the table tents I purchased for the location were thrown out by one of the staff, because they were "unaware". I did confirm with the head staff member about 94 times that the event was taking place, but still... an "unaware" staff member threw out $30 of my launch. Scratch that, $28. We found ONE of the table tents shoved in a corner, so I took it home at the end of the night (Thanks Gunther!)

So, what the F*** did I learn.

Nothing else matters

No one picks up physical things anymore. Not a single person.

People are flakey as hell, and don't read.

If you can't capture your audience in less than 15 words, you lose.

Wow, that was a lot of lessons in one.

Buy them... buy them all

Advertising to get your face in front of people works. If you have disposable income, do it. If not... I hope you have disposable time, because you need to get your face in front of people. Bring yourself, and your work, to the places where you think they'll love you. Then shake every hand (no matter what's on it, that's what Purell is for) and smile at everyone. Tell them how much you love your work, even if (secretly) you really don't. Just because you don't like it doesn't mean it's not good. I personally dislike my first work (not so secretly anymore) because I know how much better it could have been if I had just... done something else. F***, I don't know what it is but something.

I'm hoping at this point you've recognized that I'm not with all of my senses. No I'm not. I'm celebrating god F***ing damn it. Sway's Demise (my new love) is finished, and I'm celebrating the fact that I'm in love with it. While I write to you about how stuff didn't go as awesome as I'd planned for launch, but found out I have many friends that love me dearly.

TL;DR To summarize this point, if you can't spend copious amounts of facetime with potential readers, spend copious amounts of money acquiring them. If you do neither, you better have 5,000 friends to share your sh*t, or you're f***ed.

Not sure why I'm bleeping my curse words, I forewarn everyone that this is an adult-ish blog.... F*** it.

Eye contact and smiles

It may feel scary, and strange, but when at the booth/event, make eye contact with everyone, and smile kindly. Don't stretch the smile... that's Joker status. Just smile a little bit, look into their soul, and drag them into your hell.

Eye contact is uncomfortable for most, but when you smile genuinely, it's attractive. I, myself, have been drawn into booths by both males and females taking the time to look at me and smile. It means you care. It means you give f**ks about that human, to take the time to look at them. They'll feel like you can see them.

Make all the smalltalk

I know it feels like you don't have time to communicate to every human that came to see you, but you're there for however the F*** long it takes to sell out, right? So you have time. I know you want to make sure that everyone else gets in and out in a timely manner, so identify those people, sign their sh*t, and get them the F*** out. They're not here to talk to you anyway, so GTFO.

Sell yourself

You make your first sales. I mean that like you make your first sales. People aren't going to be interested in your work, they're interested in you. Same reason why when you have a booth (if you're a dude, or not between the ages of 18-25) buy girls between the ages of 18-25 to sell your stuff. I have in good confidence from someone waaaaaaaay more successful than me that if you have young, attractive females run your booth/event, you'll have double or triple sales.

Trust the well respected author who knows way more, and has sold way more books than me.

Bars aren't really the place

The "bar" I selected (a tap house and brewery) was filled with my demographic... and not. I was targeting: Female, 16-28, interested in horror & fantasy. But the other 9/10ths of the bar was either men (3/4ths) or women outside of the demographic (1/6th) WOOO I CAN MATHS! There were a few other reasons that it didn't go fantastic for me.

What did go fantastic for me?

My friends and family love me. Apparently, I'm doing something right, because at least 35 people I knew showed up to support me. <3

I've gotta say, I've never been so honored in my life. Unbelievable feeling to know that people I know, even people who hardly read, were coming and buying my book.

Also, beer is yummy, so I had a pretty good time having drinks bought for me.

Well... That's about all I have to teach kiddies. Did I make any points? I'm not sure now. I could proofread, buuuuut I'm not going to. Yep.... night kiddies! ^_^

Maintaining good relationships with Reviewers

Hmmm... this one seems as if it's a multi-purposed post. For not just the writing in your life, but other things like your day job, maybe even casual friendships. I'd like to talk about how to maintain a good relationship with people, so when the time comes, there's no question in their mind about helping you out, or vice versa.
I know, that sounds really selfish. But as I dive in, you'll see it's not quite as bad as you think. Let's be honest, first off. Most things that you do in life are to benefit yourself in some way. If you think about it, it's true. Why find a lover/partner? To not be lonely. Why do the dishes for that partner? To make them happy so when you ask something of them, they'll return the favor. Etc, etc, etc.

Anyway, on with the post. Step 1...

Sharing is caring

It may take some time, but through a few casual emails, you can get your reviewer to open up to you by sharing tiny bits of yourself. They'll see that you really are a human on the other side of the text, and start to connect with you.

You have to want this. You have to. If you do not truly want to connect with this human on a personal level, you will stop giving a shit, and you will let the relationship fall by the wayside, and they will recognize that emails coming from you only mean you have a new piece out that you want to thrust at them.

Be diligent

Remember the important details of your reviewers, or the details they feel are important. Where they live, brothers & sisters, a new job they're applying for, what degree they're attempting to obtain in school, a book they're working on, new house, etc. Follow up on these items with them through email to show that you were paying attention, and you do care if they got the job, got the house, finished school, saw their family for the first time in years.

Remembering details of many people can be difficult, so fortunately you have email history to look at, and you're never, or rarely ever, put on the spot to remember it without being able to reference said emails. I do this sort of thing for a living at my job, so it's become second nature to remember a ton of details about what's going on with 20-30 different people at a time... which reminds me, I need to follow up on something when I get in the office tomorrow morning ^_^

Actually care

I know it's a strange thing to say, and it's a hard mentality to develop, but learn to actually care. My boss taught me this. It's not enough that you asked, and remembered, and follow up later, then acted excited for their success, or downtrodden for their failure... You must actually give fucks about them and their life.

You'll notice if they're interested in you, and connecting, they will do the same. If, after many attempts, you notice they're not interested, gauge your desire to have them on your side. Ah, I say on your side... but truly that's what it is. When it comes down to it, and you have a new work that you'd like to share with them, and they have a very busy schedule, they'll be on your side and find the time to make it happen.

Anyway, gauge the importance of this potential relationship. Do they enjoy your work, or was it just so-so to them? Is their review/writing style on par with how you like to communicate to your audience? Do they have a wide reach, or a large audience? After answering yes to all three of those, I would say continue to pursue them, gently... don't be overbearing and email twice a week, or overshare. Perhaps, even come right out and ask them, "Are you interested in maintaining a relationship with me outside of the author/reviewer relationship we have? Because I am." Maybe they'll go, "Hey, shit, I didn't realize that's what you were trying to do... totally, I'd love to!" or... maybe it'll be like, "Yeah I don't have time to email you about personal stuff." and if that's the case, just be like, "Totes cool. In the future, if I have stuff for reading, would you like me to contact you?" And then all that awkward courtship stuff is over and you can move on to fostering the relationships that really matter.

Welp... I better get my chunky butt off the couch and go for a run or something >_> have a good Sunday kiddies!

Writer's block - *sigh*

We all get it from time to time, the dreaded inability to formulate sentences, lead one action into the next. A lot of people say "DRIVE ON!" Just keep writing, force it out, write something terrible, doesn't matter. I find it pretty difficult to do this.

I'm not sure how to help you... I can't even help myself... But here's what I've been trying or thinking of trying.

Read other writings

You've been staring at your own work for days, or longer, with no idea how to keep going. It's time to start looking at other things. Even if it doesn't help get your creativity flowing, at least you read something other than what you've been rereading forever, right?

Try to critique other stuff

Movies, poetry, presidential speeches, whatever, just start critiquing. What's well thought out, what's needing more work, what do you like/hate/want to burning a fire. Figuring out what you like and don't like about something else may help you remember how to write the stuff you like.

Revisit a previous work - or look at a new one

If you're like me, you have three to five writing projects at different stages of development at one time. I'm not saying it's optimal... but it's what I've got. Writing a fresh story, or getting a new take on one you've completed may "unbind" you from the current one. Though I do really dislike task switching unless it's writing for one and editing for another, I've been thinking about doing this.

Maybe you really just need a break...

So take one. How long is up to you, but I advise setting a strict "break" start and stop date so you don't blow way past the writers block end and waste a bunch of time sitting on your butt playing video games.

Maybe you really just need to power through...

The thing I didn't want to think about. Maybe I should just suck it up and write something horrible so I can get back to writing. Ugh. Even this blog post sucks. Maybe this was the horrible thing I needed to get out.

Whatever you decide to do, remember to stay positive. Writer's block isn't forever. Night kiddies ^_^

Mile High Horror Film Festival - A Critique

Critique... The English language is an enigma man... I would spell that word criteek, but f*ck me, whatever.

You can tell its late, because I'm starting this post out bashing the language I use to tell stories. On with what I came here to talk about.

Even Lambs have Teeth - 7/10

I'll give it points for all the gore and some decent acting, but goodness it was predictable... Down to how every kill was going to happen, I knew it.

The opening scene is a bit disorienting, and confusing. I didn't think it meshed well with the overall story arch. From that opening, one of the main characters behaves completely contrary to how she had behaved, 4 minutes ago. So, write off the opening scene, ignore how predictable it is, or if you can, shut your brain off. It'll make the movie more enjoyable.

I had the pleasure of meeting one of the main characters after the show. She was very cute, and dainty in person, but was able to own the naughty girl thing on camera...

Series of shorts - all over the place

The ones that stick out the most were the best, and worst... Or rather weirdest. Actually, I remember the name of everything except the very first one and it was a music video. Very cool and enjoyable, don't remember what it's called.

Vicious - 8/10

Lots of jumps, told a complete story in under 8 minutes, well acted. I really liked this one.

Invaders - 6/10

It was kinda funny. Acting was meh. Story had little depth.

Zone 2 - 7/10

Fairly decent, well acted on both parts, told a nice complete story in about 7 minutes. No jumps or scares.

Scumbag - 4/10

Story was meh, cheating husband gets what he deserved... Meh acting. Mehmehmeh, you can tell its late now.

Peripheral - 7.5/10

This one's concept was good, but fell short of an 8 because of subpar acting (actress got her line wrong... And they kept it...) and the CGI for the alien/monster/thing was pretty cruddy, or their design was cruddy. It was just not frightening. A darkened sillohett would have been way scarier, and less cheezeballz.

I can't remember the name of the last one but it gets 3/10. Did not like, couldn't tell a story, monster did weird stuff and looked cheesy, acting was OK but very little of it.

He Never Died - 10/10

I'll start by saying Henry Rollins is my fuckin hero, I love that guy. Movie was well paced, very unexpected but welcome comedy, he stayed fully in character so well, all the acting was phenomenal, story was pretty good. I guess it deserves a 9.5/10 because the bad guy motivation reveal was kinda lamesauce, but matching with the story... So back to 10.

Not a horror by far, but couldn't recommend more. So good, going to buy it when it's out.

And now, I pass out. Night kiddies!